|
A3898 |
Tain't Nobody's Biz-ness if I Do |
|
Bessie Smith |
1923 |
|
14276-D |
I Know His Blood Can Make Me Whole / Jesus Make Up My Dying Bed |
|
Blind Willie Johnson |
1928 |
|
14343-D |
Mother's Children Have A Hard Time |
|
Blind Willie Johnson |
1928 |
|
14451-D |
Nobody Knows You When You're Down & Out |
|
Bessie Smith |
1929 |
|
14425-D |
Lord I Just Can't Keep From Crying / Keep Your Lamp Trimmed & Burning |
|
Blind Willie Johnson |
1929 |
|
14530-D |
John the Revelator / You're Gonna Need Somebody on Your Bond |
|
Blind Willie Johnson |
1930 |
|
35391 |
The Fable of The Rose / How High The Moon |
|
Benny Goodman |
1940 |
|
37493 |
I Cover The Waterfront / Until The Real Thing Comes Along |
|
Billie Holiday |
1945 |
|
CL 6073 |
Duke Ellington's Liberian Suite |
|
Duke Ellington |
1949 |
|
CL 825 |
Masterpieces by Ellington |
|
Duke Ellington |
1950 |
|
ML 4639 |
Ellington Uptown |
|
Duke Ellington |
1953 |
|
CL 558 |
The Duke Plays Ellington |
|
Duke Ellington |
1954 |
|
CL 903 |
The Cool Voice of Rita Reys |
|
Rita Reys |
1956 |
|
CL 897 |
The Jazz Messengers |
Columbia 30th Street Studios |
The Jazz Messengers |
1956 |
|
CL 935 |
J Is for Jazz |
Columbia 30th Street Studios |
J. J. Johnson |
1956 |
|
CL 1058 |
Modern Jazz Perspective |
|
Donald Byrd, Gigi Gryce |
1957 |
|
CL 1033 |
Such Sweet Thunder |
|
Duke Ellington |
1957 |
|
CL 1041 |
Miles Ahead |
Columbia 30th Street Studios |
Miles Davis |
1957 |
|
CL 1030 |
First Place |
Columbia 30th Street Studios, Columbia Studio A |
J. J. Johnson |
1957 |
|
CL 998 |
Jazz Lab |
|
Donald Byrd, Gigi Gryce |
1957 |
